This is my presentation and thoughts about it with a touch of historical moments, a feminine note and a huge gallery. A year after its launch, we took the El Primero A384 for a spin. Under the full name of Zenith Chronomaster Revival El Primero A384, the historic watch was reborn in the contemporain. It is not a vintage-inspired piece but the accurate reproduction of the 1969 launched piece. In person, it’s quite possibly the best not-actually-black black watch you’ll ever handle, and a stone-cold awesome way to bring the blacked-out military chronograph aesthetic from the seventies and eighties into the modern age.Zenith launched last year the El Primero A384.
And like we saw with the recent Defy 21 Land Rover edition, the titanium case gets a dramatic bead-blasted finish that reads black or a very dark gunmetal depending on the available light. The A384 is also a platform that takes interesting embellishments quite well - like the new Shadow, with its stark, monochromatic vibe, and a feather-light feel on the wrist, thanks to the titanium case. It should come as no surprise - demand for modern-production chronographs with vintage proportions still remains at an all-time high, and this 37mm reference hits that sweet spot for most collectors. Since it was announced last summer, Zenith has been on fire with the A384 chronograph, which has gone on to be a favorite for collaborations and, more recently, even received a period-correct Gay Freres bracelet reproduction, as well. Strap/Bracelet: black Cordura style strap and white stitching. Movement: El Primero 4061 Automatic column-wheel chronograph Thus, the Chronomaster “Shadow” was born into a bead-blasted titanium A384 case. In the case of an obscure blacked-out Zenith El Primero prototype (then nicknamed “Ghost”) from 1970, we might never know why it wasn’t ever made - in a recent conversation, Zenith CEO Julien Tornare himself certainly didn’t, but he knew immediately after it was rediscovered that it was the perfect reference to be formally produced for a modern audience. More often than not, great ideas are left on the cutting room floor if the product couldn’t hit a certain price point, or if it just wasn’t the best idea executed at just the right time. There’s not always a clear rhyme or reason why a prototype doesn’t make it into regular production.
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